An English amateur symphonist: John Marsh, Ian Graham-Jones ed., Symphonies, Part 1: The Salisbury and Canterbury symphonies (1778–1784), Part 2: The Chichester symphonies and finales (1788–1801)

Identifieur interne : 000198 ( Main/Exploration ); précédent : 000197; suivant : 000199

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An English amateur symphonist: John Marsh, Ian Graham-Jones ed., Symphonies, Part 1: The Salisbury and Canterbury symphonies (1778–1784), Part 2: The Chichester symphonies and finales (1788–1801)

Auteurs : Peter Holman

Source :

• Early Music [ 0306-1078 ] ; 2002.

RBID : ISTEX:CAB61CF27A801DAD06BD55A7AF7A1E4EE2AB05BC

English descriptors

• Entity :
  • org : Bolivia and China, Oratorios and Church, Further International Conference, Netherlands Bach Society, Akademia, Trinity Baroque.
  • pers : Abel, Alexandre Tharaud, American, Charles Burney, David Rowland, E. Bach, Frans Bruggen, Heinrich Schuetz, Helene Schmitt, Ian Graham-Jones, J. C. Bach, Johannes Leertouwer, John Eliot, John Marsh, Julian Reynolds, La Sfera, Mala Punica, Music, Robin Stowell, Samuel Pepys, Samuel Wesley, Tom Beghin, William Byrd.
  • place : Amsterdam, CAMBRIDGE, Canterbury, Chichester, England, European Union, Rome, Salisbury, St. Matthew, UK, Venice.
• Teeft :
  • Alexandre tharaud, Amateur composer, Amateur orchestra, Amsterdam baroque orchestra, Attractive work available, Authentic clagoiitic liturgy, Autograph ripieno flute, Bernard music criticism, British scholarly edition, Bustling tuttis, Cambridge book, Cambridge early keyboard instrument, Cambridge university library, Canterbury symphony part, Cappella pratensis, Case study, Century performance practice, Century salon, Charles burney, Charming essay, Chichester symphony, Church music, Collegium vocale cent, Complete output, Complete violin sonata, Concert spirituel, Considerable interest, Contact organisatie oude muziek, Contrapuntal mastery, Conversation symphony, Copy staccato mark, Country gentleman, Credit card, Critical note, Dutch chamber choir, Early music, Early symphony, Early violin, Easter oratorio, Economical motivic, Editorial addition, Editorial decision, Editorial principle, Editorial slur, Email early music, English amateur symphonist john marsh, English baroque soloist, English musical life, English symphony, Ensemble dialogos, Ensemble europeen william byrd heinrich passion, Ensemble sequentia, European union baroque orchestra, Expression mark consistent, Fascinating document, Fewer ax, First group, Formal musical education, Frans bruggen, Further international conference, Galant melodic, Galant style, Good bookshop, Good feeling, Handsome edition, Harmonic language, Haydn enthusiast, Haydn reception, Haydnesque slow introduction, Helene schmitt, Historical account, Historical performance issue, Huelgas ensemble, Important source, Inelegant symbol, International early music fair, Inventive harmonic imagination, Jesuit college, Johannes leertouwer, John marsh, Julian reynolds performance, Keyboard musicfromthe seventeenth, Koopman john eliot gardiner, Latest austrian music, Library shelf unperformed, Long life, Lxiii edition, Main reservation, Major american academic publisher, Major symphony, Major work, Mala punica, Manuscript ripieno part, Many edition, Many place, Many talented individual, Marsh contrast oboe, Mellifluous wind solo, Modern one london symphony, Modern piano, Modern time, Monteverdi choir, Much more elegant solution, Musica britannica, Musical administrator, Musical life, Netherlands bach society, Nineteenth century, Numerous fringe concert lecture full programme available, Orchestral melodic line, Order direct, Other scholarly series, Other town, Part available, Penseroso jesuit, Performance practice, Period instrument, Period interpretation, Platee early music, Poeme harmonique, Practical guide, Practical guide david rowland, Practical guide robin stowell, Present date, Problem english composer, Professional musician, Professional such, Professionalized world, Prolific composer, Prolific english symphonist, Rare baroque music, Relevant evidence, Ripieno part, Royal navy captain, Salisbury concert, Samuel diary, Samuel youthful symphony, Seating diagram, Second half, Second problem concern, Separate string group, Sfera armoniosa, Sheer competence, Short finale, Solid compositional technique, Solo violin, Southern england, Striking touch, String part, Student performer, Subject group, Trinity baroque, Useful introduction, Visit london, Vocal work, Wind cue, World premiere.

Url:

• https://api.istex.fr/ark:/67375/HXZ-RKHKVQR1-F/fulltext.pdf

DOI: 10.1093/em/XXX.2.300

Affiliations:

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Links toward previous steps (curation, corpus...)

• to stream Main, to step Corpus: 000264
• to stream Main, to step Curation: 000262

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